(Rumi, version by Coleman Barks)
Drumsound rises on the air,
its throb, my heart.
A voice inside the beat
says, “I know you’re tired,
but come. This is the way.”
(Rumi, version by Coleman Barks)
Drumsound rises on the air,
its throb, my heart.
A voice inside the beat
says, “I know you’re tired,
but come. This is the way.”
In this TEDx talk of unusual scope and beauty (Toronto, May 2015) Vanessa Reid, a pioneering social innovator, explores the wildness and creativity in life that are possible only in the embrace of the full cycle of existence — which includes dying. Our organizations, our parents, ourselves — all of us are on a journey that has an end, and the ability to “kiss the joy as it flies” has much to do with our capacity for conscious closure.
(by Theodore Roethke)
In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood —
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What’s madness but nobility of soul
At odds with circumstance? The day’s on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall.
That place among the rocks — is it a cave,
Or winding path? The edge is what I have.
A steady storm of correspondences!
A night flowing with birds, a ragged moon,
And in broad day the midnight come again!
A man goes far to find out what he is —
Death of the self in a long, tearless night,
All natural shapes blazing unnatural light.
Dark, dark my light, and darker my desire.
My soul, like some heat-maddened summer fly,
Keeps buzzing at the sill. Which I is I?
A fallen man, I climb out of my fear.
The mind enters itself, and God the mind,
And one is One, free in the tearing wind.
Here are nearly 35 free hours of The Lectures of Joseph Campbell as a Spotify playlist.
(If you don’t have Spotify’s software already, you can download it free here. Where I found this: openculture.com.)
i am emerging into wholeness
through shards of brokenness
i seem to long to watch me
nearly-not-survive —
i dodge life-ending fragments of my past
in bullet time
i am the actor,
i trained the actor,
i am the finished scene
i am behind the camera, watching me
not-knowing what the end will be
— September 25, 2008
(by David Whyte)
In that first hardly noticed moment in which you wake,
coming back to this life from the other
more secret, moveable and frighteningly honest world
where everything began,
there is a small opening into the new day
which closes the moment you begin your plans.
What you can plan is too small for you to live.
What you can live wholeheartedly will make plans enough
for the vitality hidden in your sleep.
To be human is to become visible
while carrying what is hidden as a gift to others.
To remember the other world in this world
is to live in your true inheritance.
You are not a troubled guest on this earth,
you are not an accident amidst other accidents
you were invited from another and greater night
than the one from which you have just emerged.
Now, looking through the slanting light of the morning window
toward the mountain presence of everything that can be
what urgency calls you to your one love?
What shape waits in the seed of you
to grow and spread its branches
against a future sky?
Is it waiting in the fertile sea?
In the trees beyond the house?
In the life you can imagine for yourself?
In the open and lovely white page on the writing desk?
(by Carrie Fountain)
The wasps outside
the kitchen window
are making that
thick, unraveling sound
again, floating in
and out of the bald head
of their nest,
seeming not to move
while moving,
and it has just occurred
to me, standing,
washing the coffeepot,
watching them hang
loosely in the air-thin
wings; thick, elongated
abdomens; sad, down-
pointing antennae-
that this
is the heart’s constant
project: this simple
learning; learning
how to hold
hopelessness
and hope together;
to see on the unharmed
surface of one
the great scar
of the other;
to desire everything
and nothing
at once and to desire it
all the time;
and to contain that desire
fleshly, in a body;
to wash it and rest it
and feed it; to learn
its name and from whence
it came; and to speak
to it-oh, most of all
to speak to it-
every day, every day,
saying to one part,
“Well, maybe this is all
you get,” while saying
to the other, “Go on,
break it open, let it go.”
(Shared by the author as part of The Writer’s Almanac for October 20, 2015)
(By Mary Oliver)
Every day
I see or hear
something
that more or less
kills me
with delight,
that leaves me
like a needle
in the haystack
of light.
It was what I was born for —
to look, to listen,
to lose myself
inside this soft world —
to instruct myself
over and over
in joy,
and acclamation.
Nor am I talking
about the exceptional,
the fearful, the dreadful,
the very extravagant —
but of the ordinary,
the common, the very drab,
the daily presentations.
Oh, good scholar,
I say to myself,
how can you help
but grow wise
with such teachings
as these —
the untrimmable light
of the world,
the ocean’s shine,
the prayers that are made
out of grass?
(by Diane Ackerman)
In the name of the daybreak
and the eyelids of morning
and the wayfaring moon
and the night when it departs,
I swear I will not dishonor
my soul with hatred,
but offer myself humbly
as a guardian of nature,
as a healer of misery,
as a messenger of wonder,
as an architect of peace.
In the name of the sun and its mirrors
and the day that embraces it
and the cloud veils drawn over it
and the uttermost night
and the male and the female
and the plants bursting with seed
and the crowning seasons
of the firefly and the apple,
I will honor all life
— wherever and in whatever form
it may dwell — on Earth my home,
and in the mansions of the stars.
it has to do with calculus,
with breaking free
of the need to see
that one last step, the one that is
infinitely small,
as needing to be measured and divided
in its turn
it is zeno’s paradox,
we have puzzled it
for 2500 years,
circling the point,
at times infinitely close,
reaching for reunion with the whole,
yet always
steps beyond counting away,
kept at bay
by this mind-made trick
that makes us stop to carve
one last small digital divide
between
us
and the welcome
waiting
on the other side
— December 17, 2005